Drugi zakon termodinamike

Glamuzina is a master of situation and dialogue, and this storytelling is in many ways close to dramatic. And not only because it takes place in the same place, nor even because the stories are predominantly dialogic or monological, but precisely because of the dramatic conflict in each of them. The author cuts sharply and honestly to the bone into the lives of his characters, and in one broad sweep, from the comic to the incredible and tragic to the transcendental, we enter the fundamental secrets of man in a very convincing way.”