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The book is part of the Film Library (book 1) and contains the theoretical foundations of screenwriting work, emphasizing that film is a special art, and the screenwriter is a cultural and social worker.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
In this valuable book by Milan Vlajčić, the cinematic nineties receive their first systematic evaluation. Much more than a mere sum of accumulated texts, it is a corpus with a more than elaborated and profiled concept.