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Monograph of dr. Zlate Živaković-Kerže explores Ernestinovo as a focal point of the naive. Through a historical overview and analysis of the Cyprus colony, it shows the unique tradition of making wooden sculptures.
Ksenija Kantoci has been exhibiting since 1939. She works in wood, bronze and terracotta. Her exhibition in Zagreb in 1955 is particularly significant for the new trends in Croatian sculpture opposed to socialist realism.