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At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
This is one of the first synthetic analyses of the so-called Croatian fantasy generation (or "Borgesians", "young prose" with elements of fantasy) that appeared in the late 1960s and during the 1970s.
Nikola Koljević's book Portrait of a Literary Work: On the Drina Bridge presents a detailed literary-theoretical and interpretative study of Andrić's novel On the Drina Bridge.
In the first part, briefly, the characteristics of mannerism are described with regard to those aspects of literary art that are essential. The second part presents an exemplification of the conclusions reached in the first part.
Figures in our folk poetry, (JAZU 1880), is published in a reprint after a full 108 years. This classic work of Croatian philology is the first and to this day the only thorough and reliable systematization of tropes and figures in our country.
The book by Split writer and political scientist Nebojša Lujanović (born 1981 in Novi Travnik) is an intriguing polemic against the ideological abuses of Ivo Andrić, especially the nationalistic readings of his work from the Bosnian, Serbian and Croatian