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The priceless original art treasure is believed to be the work of Empress Catherine II, who carefully selected works of art for her collection.
The book presents the artistic and creative achievements of ancient China from the invention of writing to the Tang Dynasty.
In this book, the very concept of Romanesque and Romanesque art is questioned, its roots are explored, and above all, its historiographic genesis is placed in the peculiar cultural context of the first half of the 19th century.
The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.
Various collections unfold from hall to hall of the Archaeological Museum, creating a fresco of Greek civilization whose various artistic expressions merge into an inextricable bond.
Each text in this book is a rounded whole and was created for some reason, but they all overlap and break exclusively theatrical frameworks, speaking comparatively and interdisciplinary.