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The story, centered on the brilliant forger Mihovil, criticizes the literature and art of our time. It also reflects on a society that is ready to adapt the coordinates of history to its own needs.
Sexus (1949) is part of the Rosy Crucifixion trilogy, in which, with less intensity than in his most famous works published in Paris in the 1930s, his rebellion against a dull and hypocritical America is sublimated.