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Drawing occupies an important place in Lacković's painting - this monograph is a direct and real testimony to the mastery of this outstanding draftsman, whom A. Jakovsky deservedly called "the best draftsman in naive art".
The collection "Renaissance and renaissance in the art of Croatia" is the second book in which presentations held at scientific gatherings dedicated to the memory of Cvit Fisković are published.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The intense saturation and density of this poetry make it impossible to read this book in one sitting. It must be taken slowly and measuredly, as each poem requires a longer process of reception.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.