Irving Stone’s classic biographical novel of Michelangelo—the #1 New York Times bestseller in which both the artist and the man are brought to vivid, captivating life.
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Dali's autobiographical book in which he explains his life and artistic postulates, the complex foundations of his eccentricity and endless surrealist imagination with which he marked the painting of the 20th century.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century