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Josip Mihaljević's book analyzes the relationship between the government and the individual in communist Croatia (1958–1972), through repressive mechanisms, ideological pressures, and restrictions on personal freedom in the socialist system.
The book is deeply rooted in the local history and culture of Osijek, with an emphasis on cemetery motifs that serve as a metaphor for memory, death, and disappearance.
At the gates of nations, at the border of worlds, it enriches all our previous knowledge by spreading all kinds of insights because it is composed of contributions that are certainly the fruit of serious work, but also of deliberation.
