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This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The birth, childhood, upbringing and warlike exploits of the giant Gargantua: a satire on scholasticism, wars, monasticism and society, with grotesque humour, enormous eating/drinking and utopian ideals.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
The collection "Uglavnom adjevjevi" by Hrvoje Jurić brings together ten cycles of poetic sketches and poems.
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.