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"Quinja in a Coffin" is a novel by Milan Begović that deals with themes of love, loss, and the search for identity.
Giga Barićeva (1940) follows the life of Zagreb's bourgeois society during and after World War I. Begović's style, imbued with impressionism and wit, creates a panorama of society, while Giga personifies the struggle between freedom and expectations.
In this work, the author treats two types of characters in parallel. Some are real, realistic official detectives, and others are detective characters as formed by the creative thought and talent of the writers.
The work analyzes Tin Ujević's theoretical reflections on poetry, with special emphasis on his relationship to mystical experience.
