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An autobiographical novel by Marguerite Duras, told in fragmentary, poetic prose. Set in colonial Indochina in the 1920s, it follows a poor fifteen-year-old French girl who begins a passionate love affair with a wealthy Chinese merchant.
In the book, Indochina, childhood, a poor family without a father, a self-confident girl, early passions, the arrival of a stranger in a small, remote place, the desolateness of rice fields, and much, much more await you.
This work of great momentum and ambition follows numerous striking characters from Afghanistan to Paris and from San Francisco to the Greek island of Tinos, and tells their touching and irresistible stories.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
People always think they know who the sponsor is: a calculating, not-so-bad-looking woman who married for money.