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At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.
As in Velikić's previous novels, the heroes weave analogous and often intertwined destinies of frustrated Central European citizens and intellectuals, the topography is very diverse, but also recognizable.
Mimesis is a drastic portrayal of Montenegro as a country of retarded discourses, and after several published excerpts of the manuscript, it has already initiated public condemnation in the writer's country.
The novel One Hundred Years by Dario Harjaček provides a panoramic view of Trešnjevka and its inhabitants through a century of changes, ideologies, and human destinies – a mosaic of Zagreb in which life, art, and history intertwine.
The book is composed of 22 chapters, and in the first, introductory chapter, entitled The Ugly Face of Primitivism, Agić explains the reasons and mechanisms of social rejection.
The story, centered on the brilliant forger Mihovil, criticizes the literature and art of our time. It also reflects on a society that is ready to adapt the coordinates of history to its own needs.