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„Die toten Seelen“ (1842) ist eine brillante Satire, die den moralischen und sozialen Verfall des zaristischen Russlands durch Tschitschikows Betrug mit toten Leibeigenen aufdeckt, mit Gogols virtuoser Mischung aus Humor, Ironie und Lyrik.
After Children from the ZOO Station, the most honest and convincing first-hand account of addiction. Without moralizing, without justifying, the author describes the milieu of a drug addict. Hopefully he's still out of hell...
A tipsy cabaret dancer from the Picratt nightclub entered the police station and excitedly announced that she had heard two men at the next table in the bar conspire to kill a countess, an unknown countess.
