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Matoš's thoughts from his almost endless literary and journalistic reading.
Lasić's study uses the method of ontological structuralism to analyze Krleža's early oeuvre (1914–1924) and critical reactions, revealing the tension between aesthetic autonomy and ideological engagement.
The fifteenth volume of the first edition of Matoš's collected works brings together literary and art criticism and polemics from the period 1896–1904, revealing Matoš as a perceptive aesthetician and critic.
The seventeenth, final volume of the first edition of Matoš's collected works brings literary and art criticism and polemics from the period 1910-1913, rounding off his critical oeuvre.
The sixteenth volume of the first edition of Matoš's collected works brings together literary and art criticism and polemics from the period 1905–1909, confirming Matoš as one of the most prominent critics of Croatian modernism.
The fourteenth volume of the first edition of Matoš's collected works brings theater and concert reviews from the period 1910–1913, confirming Matoš as a top aesthetician and cultural critic.