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The eighth volume of Matoš's Works, edited by Julije Benešić, is a collection of feuilletons, travelogues and impressions of Zagreb, its surroundings and Croatian regions, full of lyrical landscapes, social criticism and polemical observations.
The third volume of Barč's critical edition of the Works of A. G. Matoš (1935–1940) contains the collection Umorne priče (1909), mature short stories and sketches with themes of fatigue, love, death, satire, and modern life.
The poems from the collection Secrets of Carved Names – as a combination of lyrical, dramatic, and narrative – bring forth such imagined stories about these women, about the possibilities of how they could have lived.
The Cormorant by Nikola Pulić is a novel about the sea, childhood and growing up in wartime, through the relationship between the boy Pava, his grandfather Jere, and the cormorant bird that connects their destinies.
Rarely does a voice appear in literature so suddenly and completely unexpectedly, so original, so surprisingly uninhibited, and so important that it is necessary to stop and hear what it is telling us.
The fifth volume of Barč's edition of Matoš's collected works contains his lyrics and epigrams, symbolist-romantic verses with themes of love, death, homeland, melancholy and irony, mostly published posthumously.