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Between 1892, when "The Fragment", the first novella in this book, was published, and "The Peasant" (1897) and "On the Carts" (1897), A. P. Chekhov made a series of other artistically successful observations of the society in which he lived.
In his last great novel, Resurrection (1899), Tolstoy combines literary artistry with profound moral and philosophical reflections, making it a key work of his late oeuvre.
The Golden Calf (1931) follows the ingenious con artist Ostap Bender, who in Soviet Russia during the first five-year plan seeks a secret millionaire in order to get rich, encountering the absurdity of bureaucracy, the new Soviet man, and his own downfall
The work depicts the process of creating a literary hero and mocks bureaucracy, superficiality, and the artificial creation of "ideal" stories according to predetermined rules.
Vasily Yan's novel Genghis Khan depicts the rise of the Mongol leader Temujin, from childhood in the steppes to the creation of the largest empire in the world, highlighting his courage, cruelty, and relentless will to power.
The story of a girl named Olya Ilymeneva in a pre-revolutionary Russian village and province. Through a folkloric, ornamental style, Remizov describes her life, family, pilgrims, everyday life, and spiritual quest on the "blue field" of the Russian land.