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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
The status of the lyrical subject in the canzonier of Đora Držić
Marino Zurl (1929–2006), a Croatian writer and publicist, writes in his novel Trumpet for Bleiburg about one of the most controversial and taboo topics in Croatian history – the Bleiburg Massacre and the Stations of the Cross in 1945.