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Fra Martin respected the old literary custom of writing Commemorative Works on the occasion of important historical events or of honoring important people who were respected in the society of the time with Honorary Works.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Young Bosnian Lyrical Poetry 1992-1996.
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
In Trip to Dachau, there is no tolerance for the “infatuated,” for those who “didn't know,” for those who “repent” with a fat fig in their pocket. She openly hates – hatred itself.