
Hrvatski enciklopedijski rječnik : Vit-Ž
One copy is available

One copy is available
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Novica Milić gives Basara the status he deserves - he reads him as a relevant world writer. He "pulls" it out of the bilge of the palanquin and places it on the stage of world literature, where only one thing matters: what and how the writer does with wor
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.
The book by Split writer and political scientist Nebojša Lujanović (born 1981 in Novi Travnik) is an intriguing polemic against the ideological abuses of Ivo Andrić, especially the nationalistic readings of his work from the Bosnian, Serbian and Croatian
Žmegač does not only talk about the visual arts, but about the "spirit" of the era that permeates literature: sensuality, the moment, subjectivity, decorativeness, eroticism, decadence, but also the crisis of identity in the fin-de-siècle atmosphere.
Unfortunately, over time, art (especially literature), at least in European history, became a separate sphere of cultural life, separated both from religion and from the world of ethical (humane) values.
Nikola Koljević's book Portrait of a Literary Work: On the Drina Bridge presents a detailed literary-theoretical and interpretative study of Andrić's novel On the Drina Bridge.