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Jelčić's monograph on Šenoa presents his life, literary development and key role in the creation of modern Croatian literature, and analyzes his most important works and cultural influence.
The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
The novel is set in the 19th and 20th centuries and follows key historical moments in Rijeka, a city that has been a scene of conflict between various cultures, languages, and political interests throughout history.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.