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The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
Fra Martin respected the old literary custom of writing Commemorative Works on the occasion of important historical events or of honoring important people who were respected in the society of the time with Honorary Works.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.