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In this book, Lucy Lippard examines the predecessors of Pop Art and similar styles. In the second chapter, he talks about pop art in New York.
Various collections unfold from hall to hall of the Archaeological Museum, creating a fresco of Greek civilization whose various artistic expressions merge into an inextricable bond.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
