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The finale of a powerful saga about female friendship that became the literary hit of the decade. Ferrante's prose is sharp, intimate - like reading a diary of the soul. It reminds us that friendship is war and peace, and the lost girl within us - the key
Agreat tragedy based on Plutarch’s account of the lives of Brutus, Julius Caesar, and Mark Antony.
In a literary convincing way, Vuletić breaks down the taboo of Stalinism, which is equally freakish in every careerist and in every time in which the individual, and the collective, serves the government, and not the continuous liberation of man. - Jure K