
Filozofija povijesti umjetnosti
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First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age.
Along with the traditional (old) disciplines that deal ex professo with the world of art - aesthetics, poetics, theory and philosophy of art - the discipline of sociology of art has emerged and developed strongly, especially in our century.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
The collection brings together papers from a scientific conference dedicated to the work of Prof. Sadudin Musabegović, a prominent aesthetician and art theorist. Through various approaches, the authors explore the relationship between art, painting, socie
In this book, Lucy Lippard examines the predecessors of Pop Art and similar styles. In the second chapter, he talks about pop art in New York.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.