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This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The book is designed as a series of "islands" - individual poems that function independently, but complement each other, forming a thematic whole.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.