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Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Short, rhythmic, playful and humorous poems portray the world from a child's perspective, simultaneously entertaining and gently teaching.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
