Croatian literature • History of literature
Pet stoljeća hrvatske književnosti: Dinko Šimunović
Five centuries of Croatian literature: Dinko Šimunović, vol. 70. Stories - In the mountains - Young days - The Vinčić family. Prepared by Vice Zaninović.
Editor
Marin Franičević
Dimensions
20.5 x 13 cm
Pages
488
Publisher
Zora, Matica hrvatska, Zagreb, 1965.
Latin alphabet. Hardcover with dust jacket.
Language: Croatian.
One copy is available
Condition:Used, good condition (visible signs of use)
Pastoral drama (comedy) in five acts, written in double-rhymed twelve-line stanzas (with eight-line stanzas in the lyrical parts), the oldest preserved play by Držić (premiered in 1548 in Dubrovnik, printed in 1551 in Venice).
Matica hrvatska, 1948.
Croatian. Latin alphabet. Hardcover.
7.36 €
Plays • Croatian literature • Poetry
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
Mozaik knjiga, 1997.
Croatian. Latin alphabet. Hardcover with dust jacket.
18.56 €
Erotic Novels • Croatian literature • Psychological novel
Branislav Glumac published a novel without periods or commas in 1974, as the relentless stream of thought of a young rebel. Published in socialist Yugoslavia, the work caused a scandal with its openness and became a classic about generational rebellion.
IROS, 1986.
Croatian. Latin alphabet. Hardcover.
8.24 €
Croatian literature • Humor and Satire • Psychological novel
When it was first published in 2000, Tomić's novel What is a Man Without a Mustache instantly became a bestseller, and over the next few years it went through a series of new editions, dramatizations, and a film adaptation. First edition.
Maja Bošković-Stulli, Divna Zečević, Eduard Hercigonja, Marin Franičević, Franjo Švelec, Rafo Bog...
A classic work of Croatian literary historiography. The edition covers the periods from oral tradition to modernism, emphasizing the interference of oral and written literature, sociological context, aesthetic norms, and European connections.