Porijeklo perspektive

Porijeklo perspektive

Hubert Damisch

The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.

Building on the tradition of considering perspective as an optical and symbolic problem in the history of recent European painting, Hubert Damisch in The Origin of Perspective analyzes both Renaissance theories and recent historical art methods, creating a distinctive interdisciplinary postulated intellectual complex - a mosaic of knowledge and questions typical of a contemporary approach to cultural problems. In particular, it should be noted that the author devotes many pages to the so-called Urbino perspectives, three paintings traditionally attributed to Lucian Vranjanin. For this reason, as well as for the epistemological scope of contemporary scientific methodology and terminology, this book - one of the most read manuals of recent art history - deserves special attention from the Croatian cultural community.

Original title
L'Origine de la perspective
Translation
Zlatko Wurzberg
Graphics design
Bachrach-Krištofić, Zlatko Bilandžija
Dimensions
23.5 x 16.5 cm
Pages
446
Publisher
Institut za povijest umjetnosti Sveučilišta u Zagrebu, Zagreb, 2006.
 
Latin alphabet. Paperback.
Language: Croatian.
ISBN
978-9-53610-662-2

One copy is available

Condition:New
 

Are you interested in another book? You can search the offer using our search engine or browse books by category.

You may also be interested in these titles

Doba antiumetnosti

Doba antiumetnosti

Dragan M. Jeremić

The work deals with the question of the meaning of art in an age when traditional values ​​and aesthetic canons are being questioned.

Kultura, 1970.
Serbian. Latin alphabet. Hardcover with dust jacket.
9.62
Kodovi identiteta

Kodovi identiteta

Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.

Meandar, 2001.
Croatian. Latin alphabet. Paperback.
7.74
40.000 godina moderne umjetnosti

40.000 godina moderne umjetnosti

Jacques A. Mauduit

Art history is the study of the historical context of works in relation to creators and periods in the visual arts.

Epoha, 1961.
Croatian. Latin alphabet. Hardcover with dust jacket.
9.987.98
Ludizam: zagrebački pojmovnik kulture 20. stoljeća

Ludizam: zagrebački pojmovnik kulture 20. stoljeća

What you have before you is not an ordinary collection – it is a vibrant, multidisciplinary map of a specific intellectual and artistic world: 20th-century Zagreb culture, seen through the prism of "Luddism" as a key, programmatic category.

Slon, 1996.
Croatian. Latin alphabet. Paperback.
11.32
Figure i sjene (O žudnji, nasilju i svetom u dramama Jeana Geneta i Bernard-Mariea Koltesa)

Figure i sjene (O žudnji, nasilju i svetom u dramama Jeana Geneta i Bernard-Mariea Koltesa)

Marija Paprašarovski

Marija Paprasharovski's book Figures and Shadows deals with the plays of two prominent French writers, Jean Genet and Bernard-Marie Koltès.

Disput, 2011.
Croatian. Latin alphabet. Paperback.
11.36
Metafilmologija, strukturalizam, semiotika

Metafilmologija, strukturalizam, semiotika

Hrvoje Turković

Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.

Filmoteka 16, 1986.
Croatian. Latin alphabet. Paperback.
10.98