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This book provides an interesting insight into the Museum of Fine Arts in Boston.
The Museum of Art History in Vienna is housed in a representative palace on the Ringstraße.
Leonida Kovač's discourse is explicit and direct, almost bodily. It fills and disrupts space. Her theory mimics the work of the performative, it is active. It takes place in one moment and one place of utterance/pronunciation.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
The author deals with questioning the perspective. From the usual consideration of perspective as an optical and symbolic problem, it enters a wider interdisciplinary intellectual structure typical of the contemporary approach to cultural problems.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.