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The monograph presents the work of Vladimir Džanko, an academic painter from Osijek, who is known above all for his landscapes and vedutes in the watercolor technique.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
The book deals with the study of prehistoric cultures, their development, material remains, and influence on later periods.
