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The essays collected in this book reveal the origins and meanders of Sanja Lovrenčić's years-long search for the authentic character of Ivana Brlić Mažuranić.
This is an accusation, a slander, a personal insult. This is not a book, in the ordinary sense of the word. No, this is a continuous insult, a spit in the face of Art, a foot in the tur against God, Man, Fate, Time, Love, Beauty...whatever you want.
At the end of the eighties, Damir Uzunović traveled to Paris and stayed there for less than a year. He was twenty years old at the time, and that exile episode would be formative for the literature he would later write.
Melanie Gideon, an American writer known for her humorous novels about family dynamics, dissects the monotony of marriage in the age of social media in The Marriage Trap (2012).
As in Velikić's previous novels, the heroes weave analogous and often intertwined destinies of frustrated Central European citizens and intellectuals, the topography is very diverse, but also recognizable.