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Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
This is a collection in which the city becomes an interlocutor, a space whose streets, parks and courtyards become places of encounter (with oneself).
The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
This is a collection of poetry that explores the inner world of a woman, her feelings, identity, search for meaning, and place in the world.
As one of the rare poets of today who has avoided the trap of so-called 'realistic' or 'narrative' poetry, Asmir Kujović has offered a kind of aesthetic guide from the anxiety of the 20th century in all his poetic works to date.