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The title poem, "The Black Rabbit," represents a kind of symbolist maneuver within "real" poetry, because like Baudelaire's "Albatross," it possesses a pronounced unambiguous charge.
The book of poems by Irena Skopljak Barić Moja begins unexpectedly with its ending, a decisive point that is a conclusion, appropriation and dedication, but shares them equally with others, "with my own".
Writing in the first person singular, Stojić depicted the life and dreams, experience and fate, defeat and loss of homeland of a generation, a city, an era.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.