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The main motifs of the collection are love and everyday life, followed by poetry, and a subtle homage to Zagreb.
Fusions in search of fragments of identity, in a combination of verses and prose fragments, are at the forefront of this collection.
Franjo Nagulov's new poetry collection, The Bloody Book, is a dark record of the decline of a society.
In Trip to Dachau, there is no tolerance for the “infatuated,” for those who “didn't know,” for those who “repent” with a fat fig in their pocket. She openly hates – hatred itself.
The poetic and travel writing of Velesja by Adnan Žetica is a depiction of the inner sensibility of a poet, storyteller, and essayist who, through his literary expression, often conducts a dialogue with himself, as well as with his reader.