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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
The book, in its original hardcover in Art Nouveau style and awarded by the Adolf Veber-Tkalčević Foundation for 1894, represents a pioneering work of Croatian literary theory and an introduction to a thorough study of the development of Russian literatur
