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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
The novel belongs to Majdak's cycle of existentialist prose, which allegorically addresses the problems of life in an urban environment.
The third edition of Petrica Kerempuh's Ballads, published in 1950 by the Zora State Publishing Company. It is interesting that the equipment and drawings by Krsto Hegedušić are the same as in the 1946 edition, but the format is the same as in the first e