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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
This study belongs to the earlier period of Cvjetko Milanja's scientific and critical work, and deals with the analysis and interpretation of the poetic oeuvre of Dragutin Tadijanović, one of the key Croatian poets of the 20th century.
