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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
Branislav Glumac published a novel without periods or commas in 1974, as the relentless stream of thought of a young rebel. Published in socialist Yugoslavia, the work caused a scandal with its openness and became a classic about generational rebellion.
The status of the lyrical subject in the canzonier of Đora Držić
Mrka kapa is a book of short prose written under the pseudonym Aristid Teofanović, used by Slobodan Blagojević. Blagojević is also known by the heteronym Anhel Antonić (poetry) and other works under his real name.