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The French school of taste and form, as well as the tradition of Croatian lyricism from Štoos to Kranjčević, is the ground on which the most distinctive Croatian poetic personality grew.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
This work of great momentum and ambition follows numerous striking characters from Afghanistan to Paris and from San Francisco to the Greek island of Tinos, and tells their touching and irresistible stories.
People always think they know who the sponsor is: a calculating, not-so-bad-looking woman who married for money.