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In this valuable book by Milan Vlajčić, the cinematic nineties receive their first systematic evaluation. Much more than a mere sum of accumulated texts, it is a corpus with a more than elaborated and profiled concept.
In one of the last interviews, from 1969, Giuseppe Cardillo talks to Pier Paolo Pasolini, director of cult films such as Salo or 120 days of Sodom and Decameron, writer, poet and one of the most important intellectuals of Italy in the 20th century
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
