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This book provides an interesting insight into the Museum of Fine Arts in Boston.
The monograph presents the most precious works from the collection of the Egyptian Museum in Cairo, which was opened in 1902 and was initiated by the Frenchman Auguste Mariette.
The Croatian scientist, art pedagogue and writer seeks to clarify the rules of the grammar of artificial attractions to the reader by specifically grouping his fascinating insights and examining them from an often unexpected angle.
