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The work is a typical example of Russian realism and deals with love, inner struggle, and missed opportunities.
In the third part of the trilogy "Pisa (Return)", following in the footsteps of the previous books "Smetlar" and "Cesta", Damir Miloš, not for the first time, questions the space of storytelling and narration, building tension between opposing and incompa
A wonderful story about how tomorrow can affect what happens today, but, as in Cecelia's other novels, it is about an immense, magical love that moves worlds, moves time and always, just always, finds its way.