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The third volume of Milutin Nehajev's collected works brings together his plays that trace the author's development from youthful enthusiasm to mature introspection: Prielom, Svjećica, Život, Spasitelj and Klupa na mješečini.
The comedy "The Marriage of Figaro, or The Mad Day" (1784) is a sequel to The Barber of Seville. The Marriage of Figaro criticizes social injustices through love affairs and intrigue, celebrating Figaro and Susanna's ingenuity in the fight against aristoc
The book brings together dramatic works in which the author deals with the themes of identity, historical fate of Bosniaks, language, culture and political divisions in Bosnia and Herzegovina.
In the comedy Pokondirena tikva, the main character Fema, an ordinary citizen obsessed with the upper class, comically tries to play the role of a lady. The play mocks snobbery, hypocrisy, and the desire for someone else's appearance and manners.
The book contains a selection of Šop's poetry and prose, the play The Eternal Prelude, Šop's letters to Dragutin Tadijanović, and memories of his acquaintance with Francis Jammes. The selection was compiled and the foreword written by Branimir Donat.
The collection brings together selected works by Marijan Matijašević and Vlado Vlaisavljević, two different but complementary authors. It brings together lyric poetry, short stories, and dramatic texts that connect intimate poetics, social criticism, and