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The eleventh volume of the first edition of Matoš's collected works brings together stories and impressions that vividly illustrate the author's lyrical prose, psychological insight, and impressive descriptions of people, landscapes, and cities.
Lasić's study uses the method of ontological structuralism to analyze Krleža's early oeuvre (1914–1924) and critical reactions, revealing the tension between aesthetic autonomy and ideological engagement.
The fourteenth volume of the first edition of Matoš's collected works brings theater and concert reviews from the period 1910–1913, confirming Matoš as a top aesthetician and cultural critic.
A moving novel about the experience of migration, alienation, and the search for identity. The author explores the fate of people torn between their homeland and the new world, feeling like strangers both in a foreign land and in their own home.
As a writer with a highly developed social sense, he described all social classes and all aspects of Croatian social life in the second half of the 19th century.
The fifth volume of Barč's edition of Matoš's collected works contains his lyrics and epigrams, symbolist-romantic verses with themes of love, death, homeland, melancholy and irony, mostly published posthumously.