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The Croatian Spring is not only a chronicle of the events of 1971, but also a suggestive presentation of the political conditions of Yugoslavia in the post-war period. These testimonies come from the pen of a man who really tried to break the shackles of
"Zagreb one thousand nine hundred and forty-first" is not only a historical overview of events, but at the same time it is also a book in which the author vividly and directly outlined dozens of portraits. A book that is at the same time a historiographic
Croatian conservative thought from 1789 to 1989.
The book is deeply rooted in the local history and culture of Osijek, with an emphasis on cemetery motifs that serve as a metaphor for memory, death, and disappearance.