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100 metaka #2: Druga šansa u deliću sekunde (16)
The second collection of the celebrated series by Brian Azarell and Eduardo Ris, will introduce you deeper than ever into the raw and merciless world of street crime and unpunished revenge.
Propovednik - Do kraja sveta #14
"Preacher" is a work that raised the art of graphic literature to a new level. With his firm stance on religion and urban rituals, Ecclesiastes leads the reader into a new realm of thought.
V kao vendeta #11
"Ideas are bulletproof." One of the most successful achievements in the world of comics and a key work in the careers of its creators, Alan Moore and David Lloyd.
Grad greha - Ubistva vredna #9
Frenk Miller's most original work, an exceptional series of graphic novels set in an imaginary, anxious, sin city.
100 metaka #1: Prvi trgni, poslednji plaćaj (6)
Guns and bullets give the person using them the opportunity to act without legal consequences, to be above the law and... To take revenge? To right an injustice?
Džon Konstantin - Hellblazer #1: Prvobitni gresi
Vertigo's longest-running series with over 200 monthly volumes!
Propovednik: Misija u Teksasu #4
The preacher raised the art of graphic literature to a new level. With his firm stance on religion and urban rituals, Ecclesiastes leads the reader into a new realm of thought.
Sandman - Zemlja snova #3
Sandman is the most controversial series of graphic novels in the history of art: for some it is the best work ever created, for others it is not a comic book at all.
Pesme ne,traženi podaci
Poems not, requested data is the first and most famous collection of poems by Luka Šteković. The book immediately became a cult favorite among the younger generation and is one of the key titles of Croatian new poetry in the late 70s and early 80s.
Društvo hrvatskih književnika- leksikon
At a time when Croatian writers abroad were often presented only as "Yugoslav", this lexicon clearly and systematically presented Croatian literature as a separate national literature for the first time after World War II.









