Otokar Keršovani

Ravnodušni ljudi

The novel follows the declining Roman bourgeois family of Ardengo over the course of several days: widow Mariagrazia, lover Leo, son Michele, and daughter Carla – all trapped in apathy, lies, sexual manipulation, and moral indifference.

Rimljanka

Adriana, a beautiful Roman girl from a poor background, wants a normal life, but her mother pushes her into posing for painters and prostitution. Her love affairs lead her through betrayal, violence and corruption to her final resignation.

Rimske priče: izbor

Collections of short stories from Roman life in the post-war era: ordinary people from the people and the petty bourgeoisie – the poor, workers, small craftsmen – face misery, survival, jealousy, petty deceit and moral compromises in everyday life.

Robovi mora

Rodilište

Ružičasto raspeće III: Nexus

Nexus, (1960), the final installment of the Pink Crucifixion trilogy, continues the autobiographical narrative from Sexus and Plexus. The novel follows Miller's alter ego in 1920s New York, focusing on his inner development, relationships, and artistic qu

Ružičasto raspeće II: Plexus

Plexus (1953), the second part of the trilogy, continues the autobiographical story begun in Sexus. The novel focuses on Miller's life in New York in the 1920s, exploring his artistic pursuits, relationships, and struggle for freedom from social conventio

Sanjalice (Lotofazi)

Senzualna žena

The first how-to book for a woman who wants to be whole.

Šeširdžijin zamak

The novel is a dark tale of destructive ambition, class discrimination, domestic violence and Victorian repression, inspired by Dickens' style but with Cronin's social realism. A 1942 film adaptation starring Robert Newton.