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The book is deeply rooted in the local history and culture of Osijek, with an emphasis on cemetery motifs that serve as a metaphor for memory, death, and disappearance.
Josip Mihaljević's book analyzes the relationship between the government and the individual in communist Croatia (1958–1972), through repressive mechanisms, ideological pressures, and restrictions on personal freedom in the socialist system.
Mate Kovačević pointed out that he wrote the book concisely, focusing especially on forgeries and cover-ups within recent Croatian history, whose protagonists are mostly followers of former South-Communist historiography.