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The book is part of the Film Library (book 1) and contains the theoretical foundations of screenwriting work, emphasizing that film is a special art, and the screenwriter is a cultural and social worker.
In the book, Chevalier talks about his life, career, and love of music.
Metafilmology, structuralism and semiotics are special theoretical currents in contemporary thinking about social phenomena and the film within them.
The artistic creativity of this famous Swedish director, marked primarily by his cinematic expression, also reminded us of the author's writing inclinations with this edition.
A short film adaptation of the famous folk ballad about the tragic love of Omer and Merima. Numbered copy, number 386.
In this valuable book by Milan Vlajčić, the cinematic nineties receive their first systematic evaluation. Much more than a mere sum of accumulated texts, it is a corpus with a more than elaborated and profiled concept.