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In "Masquerade," Moravia satirically depicts fascist Italy through absurd political intrigue and disguise. "Marital Love" intimately explores erotic tension, possessiveness, and emotional alienation in everyday life.
In Florence 1925–1926, in the poor Via del Corno, the residents live in love, poverty and fear. The arrival of fascism destroys the community: lovers fight, some die from violence, but popular solidarity survives.
The Red Lily (1894) is not just a story of forbidden passion – it is a subtle, ironic fresco of a world in which love, politics, and art intertwine in a thin, almost transparent web of conventions and desires.
In the novel Faith and Beauty (1840), Niccolò Tommaseo follows the love and marriage of Giovanni and Maria, Italian immigrants in France. After turbulent pasts, they meet in Quimper, fall in love, get married, and struggle with temptations.
The novel tells the unusual love story of an English priest and an Australian heiress in the 19th century. Bound by a passion for gambling and faith, they embark on a crazy bet together – transporting a glass church through the Australian outback.
The novel follows the declining Roman bourgeois family of Ardengo over the course of several days: widow Mariagrazia, lover Leo, son Michele, and daughter Carla – all trapped in apathy, lies, sexual manipulation, and moral indifference.