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"A novel that reveals to you the secrets of Mileva's heart, her thoughts and the passionate spirit of a scientist - a woman fighting for her place in the world of science ruled by men."
The novel itself is conceptually carried by a lucid comparison of Dalmatia and the Wild West: on a thematic level, cowboys are the mythical place of the childhood of the main character and her brother.
This work of great momentum and ambition follows numerous striking characters from Afghanistan to Paris and from San Francisco to the Greek island of Tinos, and tells their touching and irresistible stories.
Lana Derkač's prose is one of those rare exceptions that does not agree to race on readership charts and adapt to the laws of market logic, exceptions in which subtlety and reflection take precedence over fabularization and flirting with readers.
The saga of Dejan Šork's film "American-Croatian in Color" in its second part, "Venice of Death," follows the life of director Desdemona Marin, the fourth generation of a Croatian immigrant family connected by fate to film.
Although initially banned in Saudi Arabia, this novel raised a lot of dust and sparked many discussions, lawsuits, and even protests, and became an absolute bestseller in the Middle East, and now in the West.