Kapitalistički realizam: Zar nema alternative?

1,548 Fisher's central thesis is that in contemporary society, capitalism is no longer just an economic system, but a pervasive atmosphere and an ideology that is experienced as the only possible reality. Paraphrasing Jameson and Žižek, Fisher argues: “It is easier to imagine the end of the world than the end of capitalism.” Capitalist realism functions like socialist realism in the USSR – as an official “natural” picture of the world that excludes alternatives.

The book shows how anti-capitalist criticism is easily absorbed into the system (it becomes a commodity, film, music). The system produces “reflexive powerlessness” – people know that something is wrong, but do not believe that it can be changed. The analysis of mental health is particularly powerful: depression, anxiety and burnout are not individual chemical problems, but political consequences of precarity, bureaucracy and the pressure of continuous work and consumption.

Fisher criticizes “market Stalinism” in education – managerial bureaucracy, audits, targets and quantification that kill creativity. It shows how post-Fordist capitalism turns everything into aesthetics and spectacle, and “steals” the future by making it unimaginable. Although pessimistic in its diagnosis, the book calls for breaking the illusion of “there is no alternative” through collective action and exploiting the cracks in the system (crises, contradictions).

Short, sharp and influential, this book remains extremely relevant in an era of platform capitalism, the climate crisis and general anxiety. It has become a reference point for understanding why there seems to be no way out – and how to imagine one anyway.